Petros.27 contribution to church and makam music Petros Peloponnesios

petros peloponnesios realisation of doxastikon oktaechon Θεαρχίῳ νεύματι (dormition of theotokos, 15 august), eighth section of echos plagios tetartos (c—c transposed on phthongos κε=a) in copy of «doxastarion syntomon» anastasios proikonesios (gb-bm, ms. gr. 7, fol. 70v)

his reputation important teacher , composer based on vast contributions concerning heirmologion (katavaseion or heirmologion argon, printed first time in transcription in 1825) , short or simple sticherarion (doxastarion syntomon, printed first time in transcription in 1820). these innovations of orthodox chant had been written during last years , parts of continued second domestikos petros byzantios followed him lampadarios, teacher @ new music school of patriarchate. according chrysanthos petros peloponnesios realisations anthology of divine liturgies (like papadic cherubikon, , koinonikon cycles) written, while still second domestikos , not supposed contribute own compositions. petros composed 2 cycles of cherubika weekdays, unlike other composers composed in 8 echoi, cycles follow order of weekly koinonika (protos monday, varys tuesday, tetartos wednesday, plagios tetartos thursday, , plagios protos friday). later lampadarios, petros did not transcribe , contribute new hyphos created masters ioannes , daniel, studied byzantine tradition innovative protopsaltes of ottoman period petros bereketis. although not clear, whether georgios papadopoulos right petros stole makam music, since author rather compiled earlier ottoman anecdotes in biography of petros, latter had reputation usurp contribution hyphos other composers ioannes protopsaltes , daniel protopsaltes own work, of charged transcribe second domestikos. pointed @ hyphos project shared daniel protopsaltes , other students of ioannes. did not write down background of traditional melos traditional synoptic use of notation, details of personal realisation in case of doxastikon of kassia s troparion, specified “in imitation of daniel protopsaltes”.

petros peloponnesios abridged doxastarion 1 of first transcriptions of idiomela according new simple hyphos -style created ioannes trapezountios. necessity such abridgement followed request patriarch cyril v in 1756, after melos of old sticherarion in tradition of 17th-century composers georgios raidestinos, panagiotes new chrysaphes, , germanos of new patras had become elaborated. petros doxastarion , rhythmic style controversially discussed among other teachers @ new music school of patriarchate, petros rival iakovos. dispute followed alternative editions, , hyphos continued oral tradition among traditionalist protopsaltes konstantinos byzantios, georgios raidestinos ii, iakovos nafpliotes, , konstantinos pringos.

petros reputation not limited field of orthodox chant, composed , transcribed other genres of armenian , turkish music (even composers of 14th century), including ottoman makam genres peşrev, taksim , saz semai included in cyclic compositions known fasıl, makam compositions following usul rhythms on greek texts (tragodia rhomaïka). according kyriakos kalaitzidis between 3 , 5 manuscripts makam transcriptions written petros hand have survived, petros did suggest cyclic organisation fasıl. codex gritsanis 3 petros created 1 of important collections of classical ottoman music between 14th , 18th centuries.